The Analog Mixing Board For 2025
By, Nicolas WardUpdated
Summary
Best Overall
Behringer Xenyx 1002B 10-channel Analog Mixer
The XENYX 1002B can handle any audio mixing task. The XENYX 1002B is the perfect choice for recording and live gigs thanks to its legendary XENYX microphone preamps, British-style EEQs, and rugged reliability.
Runner Up
Soundcraft Signature 22 Analog 22-channel Mixer
Signature Series mixers offer maximum flexibility with Soundcraft GB Series audio routing. Each Aux and subgroup has its own pre/post switch, allowing for flexible routing and switching.
Best Performance
Samson Mixpad MXP144FX 14-Channel Analog Stereo Mixer
The Samson MixPad MXP144FX 12-channel mixer includes high-quality built-in effects to give your mix the finishing touch. Even better, a built-in USB connection makes it simple to record your mixer to your computer's DAW software.
DAWs are an incredible tool for recording, mixing, and producing audio. Digital audio workstations are fast, stable, and can handle large audio files without breaking a sweat. However, some things just feel better when they’re analog.
The sound of old mixers and recorders is something that simply cannot be replicated digitally – at least not as of yet. Whether you’re a studio engineer or an aspiring home producer, having the right tools makes mixing significantly easier. These tips and tricks will help you to get the most out of your mixer and produce better sounds for your next project.
With Behringer Xenyx 1002B 10-channel Analog Mixer, you will have no difficulty finding anything to meet your needs! To help you find the best fit for your needs, we've put up a purchasing guide and also shown other great options for you to consider.
Before finalizing your selection, our staff advises that you look into these additional important resources. They may help narrow down your selection and clarify things to locate the right fit.
Our Top Picks
TOP Choice #1
![Behringer Xenyx 1002B 10-channel Analog Mixer]()
- 10-channel Mixer with 5 x Mic Preamps
- Battery-powered Capability
- 1 Pre-fader/1 Post-fader Auxiliary Send Per Channel
- 1 x Stereo Channel
- 3-b EQ
TOP Choice #2
![Soundcraft Signature 22 Analog 22-channel Mixer]()
- Lexicon effects for studio grade reverbs, delays, Choruses and Modulations
- Iconic Soundcraft Ghostmic preamps with ultra-low noise performance
- Renowned Soundcraft sapphire British EQ with sweepable mid-bands per channel
- Dbx Limiters (High-ratio Compressors) on input channels
- Robust metal construction for tour-grade build quality and reliability
- 12-channel USB mixer with 11 faders and digital effects
- Onboard phantom power
- Six Mic/Line channels with professional quality mix preamps
- 99 digital effects with FX level controls on each channel
- Four stereo channels with dedicated Balance, Gain knobs and high pass filter button
4
![Soundcraft Signature 12 Analog 12-Channel Mixer]()
- Signature 12 (US)
- Professional FX with detailed control
- Smooth EQ and faders
- Rekordbox DJ bundled
- Professional sound quality
- Independent send/return
- Signature 10 (US)
- 4 high-headroom line inputs
- Phantom power for condenser mics
- 2 boutique-quality Onyx mic preamps
- 4-channel mixer featuring Mackie signature high-headroom/low-noise design
- Improved RF rejection perfect for broadcast applications
- Every mic input has individual +48V phantom power for using different types of mics for proper operation and safety
- Eight line-level analog channel outputs let you route signals to interfaces, recording mixers, front-of-house consoles, and pretty much anything else
- With two combo instrument/microphone front inputs and six balanced mic/line inputs in the rear, you can quickly plug in mics, guitars, bass and more
- Features an easy-to-use, single-control analog compressor with true bypass for handling hot input signals and creating smooth audio input
- From high-end preamps to versatile outputs right down to a rugged metal 1U rack-mount enclosure, the SERIES 8p Dyna is thoroughly professional
- The eight TASCAM no-compromise HDIA preamps in the SERIES 8p Dyna are our most transparent, natural, ultra-low-noise preamps yet
- Dual S/MUX optical outputs on the rear enable you to use the unit as a front end expander and send all eight channels at up to 96 kHz
- Featuring studio grade discrete class A D PRE amps with inverted Darlington circuit providing fat, natural sounding bass and smooth, soaring highs
- Dimensions(W×H×D): 244 millimeter x 71 millimeter x 294 millimeter (9.6x2.8x11.6 inches)
- 3 band EQ and high pass filters give you maximum control and eliminate unwanted noise, resulting in a cleaner mix
- 1 knob compressors allow easy control resulting in livelier guitars, punchier bass lines, a tighter snare and a cleaner vocal sound
- 10 channel mixer with USB and SPX digital effects
- Note: Please refer to the user manual before use
- MG Series mixers feature a rugged, impact resistant, powder coated metal chassis; Equivalent input noise 128 dBu, residual output noise 102 dBu
10
![Behringer Xenyx 1204USB Premium 12-Input 2/2-Bus Mixer]()
- Neo-classic "British" 3-band EQs for warm and musical sound. Maximum input level+12 dBu @ +10 dB gain Maximum input level 30 dBu
- Faders: 9 x 60mm Throw
- Premium ultra-low noise, high headroom analog mixer
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What to Look For in a analog mixing board?
Portability
If you are looking to bring your mixers with you, portable mixers will be the best choice. Mixers that are too small may not be the most efficient. Larger mixers are also more portable. Mixers are often required to transport large shows between venues. You probably know exactly what mixer you require if you are looking for large and portable mixers.
A smaller mixer is more convenient and portable in most situations. A mixer that has less than 16 channels is best if you are concerned about portability. While 16 channels are not an exact rule, they represent the compromise between small and large mixers. Make sure your mixer is protected and has a strong chassis. Mixers can even come with knobs or faders that have very delicate settings. This is important!
A smaller mixer is more convenient and portable in most situations. A mixer that has less than 16 channels is best if you are concerned about portability. While 16 channels are not an exact rule, they represent the compromise between small and large mixers. Make sure your mixer is protected and has a strong chassis. Mixers can even come with knobs or faders that have very delicate settings. This is important!
Inserts And Direct Outputs
Channel inserts can be used to add outboard processors, such as equalizers or compressors, to channels. The channel insert point can be found right after the preamplifier in its signal flow. It may use individual send or return jacks, but only one 1/4" insert jack. This requires an insert cable. Direct outputs, on the other hand, send only a portion of the preamplifier signal from the board. This makes them ideal for individual feeds to external recorders or audio interfaces.
Connection Types
It's not enough to be able to identify the sources that you will connect to your mixer. A mixer that has enough preamps for microphones is a good choice if you intend to connect them primarily. To reduce the number of direct boxes, ensure that your mixer includes at least one line input if you intend to connect line-level sources.
Analog Or Digital
There are generally two types of mixers: digital and analog. Analog mixers use electrical circuits and filters. Digital mixers convert the analog signal to digital audio data which is then sent to an onboard processing unit. The signal is then converted back into the analog domain and sent to personal monitor systems or speakers. Both mixers will offer basic levels and pan control. However, there are advantages and disadvantages to each type. An analog mixer is more cost-effective and easier to use, while digital mixers are more complicated but provide more functionality. This will be discussed in greater detail below.
Buses
Mixers can transmit at most one mix to the stage. Auxiliary buses, also known as "aux buses", are used to do this. Every channel has a level controller for each aux send. By setting individual aux-send levels on any channel you wish to hear in your mix, you can build your own monitor mix. An aux bus output can be used to connect an in-ear or stage monitor. You can make a number of different monitor mixes if you only use aux busses for monitoring. Aux buses can be mono so two aux buses will be required to create a stereo mix of monitors for your in-ear system. Consider your requirements.
EQ
A great audio mixer should have an equalizer section. A simple, three-band equalizer is fine. However, there are times when it is helpful to have more precise EQ options, e.g. when working with live music and nuances. A Graphic EQ, however, will help you achieve the best tone possible because it covers a wider range of frequencies.
Compatibility
The mixer must be compatible with your software. You will have problems recording or running a live performance if the software is not compatible. To ensure that the mixer is compatible with DAWs, it's important to verify compatibility during the search. It must be connected to a USB port on your computer. Without a USB interface, your DAW might not function. Although it is unlikely, it is better to be safe that sorry.
Channel Count
Frame size, also known as channel count, is the number of sources that can be attached to a mixer's input channels simultaneously. A 24-channel mixer, for example, will let you connect 24 sources simultaneously, but there might be other inputs such as Talkback and Tape. A few smaller consoles can provide stereo channels as well as mono channels. Even though they are part of the same channel, stereo channels count as two inputs. It is crucial to remember this when making your choice.
FAQs
What Softwares Work Best With Audio Mixers?
It takes careful planning and consideration to find software that is reliable. The best softwares can be free or they can cost you money. Wondershare Filmore and Adobe Audition are our top picks.Does A Mixer Improve Sound Quality?
An audio mixer's primary purpose is to mix and match sounds, as well as alter the bass, middles, and treble. The sum of all the input channels can be merged to produce better sound. A mixer can optimize sound but also filter it. The mixer improves sound quality at the input.What Is The Difference Between An Analog And USB Mixer?
A standalone analog mixer can mix audio from multiple sources. You can then output the audio to a PA system or speaker system. An USB mixer can do this same thing but also has an interface. You can also connect the USB mixer to your computer so you can record it in software.Can A Mixer Replace An Audio Interface?
You can, to a certain extent... however, a stereo mixer will not work the same as a multichannel interfacing which allows you to simultaneously record different audio sources from multiple tracks.Why Are Audio Mixers So Expensive?
They are worth every penny for their quality, functionality, and reliability. Mixers for audio require much effort, labor and are time-consuming. A well-balanced transformer is a costly and time-consuming task. Audio mixers can be a good investment.How Long Do Audio Mixers Last?
Audio mixers are expected to last between 3-5 years. They are able to return the money they invested. Audio mixers with a life expectancy of 5+ years are not considered obsolete. These mixers can last for a very long time, and they are easily scaleable to accommodate technological changes.Do I Need A Mixer If I Have An Audio Interface?
A mixer is a great addition to your purchase if you find that you need more audio inputs than your existing interface allows.Can You Get A Mixer With A USB Mic Input?
Professional mixers don't have either a USB input or interface. This is because USB mics don't have as strong a connection as 1/4" or XLR jacks. USB microphones are great options for those on a budget who need to connect directly to the computer. However, audio mixers have a greater capability. Some mixers include a USB interface.About Nicolas Ward
